Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Classical hunting fox, Equestrian and Beautiful Horses, 221.

ID: 46194

unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 221.
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unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 221.


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unknow artist

  Related Paintings of unknow artist :. | Barque WHITE SEA of Boston | Predigt Johannes des Taufers, Detail | European city landscape, street landsacpe, construction, frontstore, building and architecture.007 | Classical hunting fox, Equestrian and Beautiful Horses, 185. | Un Regard Fugitif |
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Mashkov, Ilya
Russian Painter, 1881-1944 was a Russian artist, one of the most significant and at the same time most characteristic painters of the circle of "Jack of Diamonds" He was born in the cossack village Mikhailovskaya-on-Don (near Volgograd) 29 July [O.S. 17 July] 1881 in a peasant family. After arriving at Moscow in 1900 he attended the Moscow School of Painting, Sculpture and Architecture, whose teachers included Konstantin Korovin and Valentin Serov. In 1909 he was expelled from the school because of his artistic free thinking. He traveled much as a student, visiting a number of the countries of West Europe, and also Turkey and Egypt. He was the member of associations "Mir iskusstva"
Harry Morley
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TENIERS, David the Younger
Flemish Baroque Era Painter, 1610-1690 a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter






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